Heidegger Aesthetics Theory

As an indivisible part of his ontology philosophy, Heidegger's aesthetics has subverted traditional western aesthetics. It has united beauty and truth internally,and has endowed aesthetics with Being, making it a rooted science from then on.On beauty it shows:beauty is one of the ways truth appears; the being of all is the most beautiful; and fascination simultaneous with perplex implies the essence of beauty. On Dichtung it indicates: Dichtung is the nature of all art; Dichtung means linguistic establishment of Being; and Dichtung bestows sacred yardstick on human being which facilitates poetic habitation on the earth. And on art it tells us:the occurrence of truth is the innate character of works; to create is to receive and obtain the truth of Being; Bewahrung makes a work be itself and the creative Bewahrung of the truth in works is nothing but art; mordern art is alienated from its resource and rejuvenation of real art signifies the salvation of both modern art and future mankind. As anti-aesthetics, Heidegger's has a great practical motive, hoping to save technically-inhabitated man and making him reside poetically on the earth. Heidegger's aesthetics symbolizes the end of modern aesthetics and the beginning of post-modern aesthetics. The future aesthetics must own the trinity of existence, practice and language, which is enlightened on us by Heidegger.