| ABSTRACT Against the historical background of the literary structure of the pluralistic symbiosis in the nineties, the pluralistic creation of this type of fictions which mainly describes country life in the nineties transeends and breaks through the single main pattern of traditional type and thus presents plentiful topics for discussion. As an attempt to comb and describe this phenomenon, this dissertation gives its own judgement. This dissertation mainly focuses on those typical figtions which mainly describes country life. In these three following respects, it explores the pluralistic trend of these fictions. The first is realistic fictions: the excavation of the individual existence in the society; the second is historical fictions: the folk narration of countryside history; the third is ideal fictions: the romance of the exitstence. These three sorts of fictions respectively 晄how the different aesthetic taste as well as the valve outlook such as, the seculare care for the reality, the cultural exploration into the countryside history and the ideal praise of the countryside emotional appeal. They all make up the pluralistic view on those fictions in the nineties. On the basis of combing and describing them, this dissertation discusses their literary achievements and defect brought by this writing style and thus provides its own resonable thought about them. |
