On The Tragic Consciousness In The Novels Of The Tang Dynasty

The fiction in the Tang Dynasty had begun to be separated from the other writing style in the history of the Chinese fiction.From the Tang Dynasty,the auther of the fiction was inclined to write fiction.From time on ,the ancient Chinese fiction had gradually broken away from the historian'record,being itself and gradually enter a new stage.But what this thesis concerned is not the process of the gradual change about the fiction in the Tang Dynasty,but the fiction's inner thought,and it emphasizes the condition of the fiction itself梬hat is it?The thesis leads into a western aesthetics conception棗tragety.So the thesis is a modern annotation for the fition of the Tang Dynasty. I hope I can explan the code about the Chinese culture and the Chinese heart through this aspect.The thesis devided the fiction in the Tang Dynasty into the three parts:live tragedy - subsist tragedy and double(live and subsist) tragedy.And I will comprehensively expound the tragedy consciousness through the three parts.The first part expound the unique view of life and death of the Chinese that influenced the tragedy consciousness in the fiction in the Tang Dynasty,and it became the most important reason of the subsist of the tragedy.The second part expound the relation between the plot of the tragedy in the Chinese culture and the Tang people' view of tragedy to draw a conclusion that the double tragedy had great influenced the ancient Chinese tragic fiction since the Tang Dynasty.There is about 33000 characters in the whole thesis.