Study On The Transplantation Of The Chinese Opera Elements In Chinese National Opera Building

China National Opera is one new type of opera in China, which is the mixture of western opera and Traditional Chinese Opera. In the beginning of its formation, it is not smooth to study from Western opera and take Traditional Chinese Opera as references. Eventually, as one kind of mixture of Chinese and Western, China National Opera was formed from the absorption of foreign opera and on the basis of Traditional Chinese Opera. After centuries of development, traditional Chinese drama and their show elements has laid a feasible way for the heritage of traditional arts. By exploring the transplant of the elements Traditional Chinese Opera into China National Opera, the author got a deep understanding of the elements of Traditional Chinese Opera in China National Opera. Then, combined with personal experience and integrated theory with practice, this thesis indicated that the form of Traditional Chinese Opera played an important role in China National Opera and got a practical interpretation for how to perform the classic China national Opera.This thesis contains five chapters. The first chapter is an introduction. For "The transplant of the elements Traditional Chinese Opera into China National Opera", this chapter introduced the research significance, research status, research content and methods, research innovation and thesis. The second to fifth chapters are the main content of the thesis. The details are listed as below.Chapter Two:The influence of Western Opera on China National Opera. This chapter reviewed the development of Western opera firstly. Then it described the birth of the first Chinese National Opera. Finally, the difference between Eastern and Western operas were analyzed from the opera "White-Haired Girl". From the three aspects, this chapter elaborated the development of Western opera, how Western opera came to China and influenced a generation of Chinese composers. After all, the first China National Opera named "White Mao Girl" was created. Though this development process of China National Opera was long and tortuous, ultimately China National Opera found a special way with the traditional opera characteristics. From the analysis of "White-Haired Girl", it can be conclude that there are many differences between China National Opera and Western Opera elaborates Western and it is feasible for China National Opera learning from the Traditional Chinese Opera. Chapter Three:The influence of Traditional Chinese Opera on China National Opera. This chapter reviewed the development of Traditional Chinese Opera, and then pointed out that Traditional Chinese Opera is the nationalized parent of Chinese National Opera, and finally described the inheritance relationship between China National Opera and Traditional Chinese Opera. Through the detailed analysis, it was gotten to know that Traditional Chinese opera has experienced several hundred years of refinement. It is a treasure of Chinese traditional music art and can provide good nutrients to the development of China National Opera. On the other side, China National Opera could be widely accepted by the people in China just because that China National Opera took the richness of traditional opera.Chapter Four:The transplant of the elements of China Opera into Chinese National Opera. This chapter is the main part of this thesis. It described the elements of Traditional Chinese opera showed in some Chinese national operas, such as "White-Haired Girl," "Red Coral", "Sister Jiang", "Party daughter "," Wild Fire fighting spring city ", etc. These operas influence broadly in China and all contains traditional musical elements. This Chapter excavated the traditional elements of China National Opera from six aspects, including aria, plate-type, spoken parts, vocal accompaniment, singing and description, the stage hypothetic discussion. These analyses would be helpful for better study of China National Opera and better interpretation and performing of the Chinese National Opera.Chapter Five:The application of the skill of Traditional Chinese Opera to perform Chinese National Opera. Combined the author's own practice experience, this chapter elaborated the stylized opera performances and diverse and colorful local opera, and pointed out that national opera performers should learn from the traditional opera not only from the concert and opera performance styles, but also from the theory in traditional opera. Finally the author selected some national opera arias, analyzed how to interpret the classic opera arias, and got her own feelings and experiences.The thesis laid emphasis on the combination of music history and vocal music, based on the information and research collection of Western opera, Traditional Chinese Opera and China National Opera, In order to elaborate the transplant of the elements of China Opera into Chinese National Opera, the relevant theoretical perspectives were established from the summary, induction and deduction on the extensive literature survey.