Contemporary Philosophy Of Chinese Folk Art Expression

Contemporary concepts for the folk art has always been the development of the main theme of modern art. Creation forms and artistic ideas all have a new creation and exploration in the modernist art movement. With the application of labor Robert conceptual art exhibition that bring the modern art up to China, China's avant-garde artists have borrowed ideas from the Western conceptual art to create new works, the Nationalization of conceptual art has become an important feature of Chinese modern art at this time.The development of the Chinese contemporary conceptual art during the "85 New Trend "is expressed in this thesis. With changes in social ideology, Artistic expression means more and more, In that case China has endured the pattern of Soviet Union, Wanted to absorb some of the fresh approach from the west, Chinese artists Reference the concept art from Western, The "85 Art Movement" is the sample, the Chinese conceptual art everywhere since "eighty-nine Modern Art Exhibition" etc. bring more artists art a platform.Lv Shengzhong's artistic practice as the starting point of this these. After long-term studies in the traditional art and folk art, Lv Shengzhong has accumulated rich experience in the theory and practical experience. Lv Shengzhong using the traditional spirit to creative inspiration, make creations to achieve his own artistic pursuit, he borrowed elements of folk paper-cut from the Chinese folk art forms, in this era of change in the basic language of traditional Chinese art form of modern communication artistic concepts, is an important feature of modern art. Modern art in a way, in fact, symbiotic with the traditional arts are interrelated, and any traditional and modern is a relative concept. Lv Shengzhong as a case analysis of artistic practice in this thesis, conceptual art on the study of Chinese in the new period of development is typical significance and academic value.This thesis has three parts:the first part of "the formation of conceptual art and its development in China", First introduce the West concept art how to origin, development then after introduced into China the conceptual art development and experience divided into several important stages, as well as the social consciousness of the Chinese cultural patterns of change and concept arts contemporary manifestations; the second part of " Lv Shengzhong in the exploratory journey of art and reflect the characteristics of Chinese conceptual art," Lv Shengzhong three times to study the art of folk paper-cut in Shanxi village draw nutrients in his Graduate Stage to his several large-scale development and representation of spiritualism symbol "red people" trying to seek the view of his art to the development trend of Chinese conceptual art, Then explore the contemporary art "Western integration "standpoint. The third part of "the art of Lv Shengzhong in the road victory triggered Some Reflections," this section is the focus of the thesis, the author praised the artist's life experiences and his work, his excellent quality that hard-working for art, perseverance not to pull out, dare to explore and pioneering spirit and his contribution to the development of Chinese Conceptual Art's, we should be given full recognition, and desire to Lv Shengzhong in the creative practice of the basic point, with the current artistic development trends for the view, re-examine the development process of Chinese conceptual art and future trends of diversification of Chinese and Western art and the process of integration in the continuous exploration and innovation.