Study Of The Flat Language Of Painting

In the painting, the "Plane", on the one hand is the material plane for art content of works, that is created through the use of graphic form of painting. On the other hand, it refers to the plane methods of plainting, which means painting in the space of the plane. It is the digestion of flat screen visual effects from the depth. Planar of the painting is the result of their own development. With "the feeling" as the goal, it is the pursuit of visual space of "painting type". It is recreated only with elements of the painting style. It is a reflection of experience and the original images with certain characteristics of geometric and symbols. The plane painting contains a mood, it adopted a simplified representation, reflecting the artists'perception of life. The beauty from plane covers a rich space of imagination. In the face of plane art, the viewer's abstract images is beyond the daily visual experience of original materials. When people enjoy again, they come to realize that re-interpretation of a painting is different from the reality of the new world.This paper focuses on language of the two-dimensional plane. It takes the development of plane as a starting point to analyse the causes of planar in the art history, trying to reveal the meaning of the planar. Combining the painter's works with it, we are to discuss the methods to show the two-dimensional planar. In the painting, make the screen maintain the purity of plane through actively weakening other physical performance factors, such as three-dimensional sense of light and shade. With the point, line, surface, shape and color working efficiently in the painting, the two-dimensional view reveals language from the original materials themselves and show the unique charm of painting.