Hou Late Aesthetic Thinking Focus Shifted

In the late 1980s of the twentieth century, Li Zehou proposed the ""Emotional Body"". His aesthetic thoughts convert from singly emphasizing on collective, sense and history to emphasizing on individuals, sensibility and mental thinking under the history, which means ""Practice"" is left aside. Focusing on individuals, sensibility, life and emotions stand for the shift of center-of-gravity of Li Zehou's evening thoughts.This paper tries to discuss Li Zehou's ""Emotional Body"" as follows:Chapter 1 summarizes ""Emotional Body"". First of all make a clear distinction between Bodies and make clear the connotation of Body, and then investigate the relations between these key concepts, that is, ""Emotional Body"" and ""New Geist"", aesthetic psychological structures, transcendent sensus communis and aesthetic appreciation by transverse text study.Chapter 2 starts from Li Zehou's articles related to Aesthetics in time sequence, explores the development course by longitudinal study from ""emotions'"" first time showing its importance in Li Zehou's aesthetic system to ""Emotional Body'"" becoming the center-of-gravity of the study on his evening aesthetic thoughts in order to grasp the non-contingency of ""Emotional Body""Chapter 3 finds out Li Zehou's ""Emotional Body"" theory source through Marxism, Cont transcendent psychology and Confucianism which deeply affected Li Zehou's academic thought. At the meaning time analyzes the appeal to ""Emotional Body"" by tension existing in prophase aesthetic thoughts. Li Zehou showed ""Emotional Body"" hope to solve these conflicts. But new conflict occurs on the back of the relaxation of ole conflict. It is quite difficult for ""Emotional Body"" to form independent system or to completely integrate into Li Zehou's prophase aesthetic system.Chapter 4 discuses the theoretical value of Emotional Body and the significant for its disposal of some contemporary problems.