A Study Of The View Of "Poem And Painting" In The Song Dynasty

"Integration of poetry and painting" is the important aesthetics and poetic of Song Dynasty. The aesthetic concept of the background is the changes of the times, and the law of creation and the evolution of the aesthetic taste of ascension. The Song Dynasty painter occupation often has profound literary accomplishment, good poetry writing, promotes the combination of corresponding aesthetic theory. Each other between the various categories of art, is a major feature of the Song Dynasty aesthetics. Sushi groundbreaking proposed"painting in poetry and poetry in painting" the famous proposition, that "poetry" and"painting" in aesthetic creation and aesthetic appreciation is mutual penetration. This thesis has got the strong response of the times. This thesis take the methods of history and logic, of Song Dynasty poetry with a "view of the formation and evolution and spiritual connotation analysis. The time domain of this paper is set as "Song Dynasty", and the context scope is set as "Chinese classical aesthetics and poetic". Paper want to comb the history, with Song Dynasty political, economic and cultural characteristics answer poetry and the same idea why produced in the Song Dynasty, poetry and the same concept and the relationship between the aesthetics of Song Dynasty; then with sufficient raw material code based, select four aspects to discuss the Song poetry and the same view, also of poetry with a view of historical and logical arrangement and elaboration. The second chapter mainly explore the understanding of poetry and painting on the same object of expression and function of the.The third chapter mainly explores the understanding of song of the same poem and painting perspective and ideas. Understand and explore the identity of poetic aesthetic characteristics and artistic style of the fourth chapter.