| The traditional Chinese claborate-style painting originated from wei-jin period and refulgent in song dynasty. It is characterized by fine brushwork and close attention to details. An abundant tradition of art developed from ancient to modern times. In recent years, along with the development of the social economy, progress of science and technology, our hearts have many inexplicable surge because of changes in various siuations, but the traditional Chinese claborate-style painting can’t express the real sentiments based on the highly ritualised strict standards. It is not a pause for development, but we would like to try to get out of the traditional researches and creations. This is a way to how to create a work with the contemporary aesthetics and the spirit of contemporary arts. The traditional research are based on sociology and painting formal language. Contemporary the traditional Chinese claborate-style painting is going through the pluralistic development of the artstic form, this paper analyzes the problems by using the method of art morphology to discuss historical background, contemporary spirit, aesthetics taste, types of content, painting techniques. In fact, the construction of the traditional Chinese claborate-style painting is a different system consisting of different elements. The paper tries to use the art morphology theories, based on detached the related elements, to take a consideration on mechanism of formation, evolvement of the traditional Chinese claborate-style painting, provides a methodological reference for creation in the future. |