"Spring Impression" Series Of Creative Techniques "scattered 厾 Cracked" Creative Sentiment

The skill of "SanDu-cun" is the very achievement of my presentation technique experiment in my composing of the Impression of spring series with imagination and creativity, On the backgro und of landscape in my hometown. It’ a mix of Chinese and Western traditional drawing skills in cluding the pencraft, ink-using, cun and Point-line-Surface structure dedicated to approaching the essence of substantial space, emphasizing the structure and viewers’ feelings.To present the inner beauties of the image, such as the pen and ink, the imagery, the artistic co nception and the space, I have dedicated lots of creative researches and experimental practice, m ade an elaborate study of the Chinese and Western painting techniques, and compared those skill s and genres we’ve learned, such as "Midian-cun", "Pima-cun", "Baoshi-cun" and" Impressionis m" to find out a way to make a blend. I have experimented turning Zhongfengzhi-du to Zhongfe ngheng-dian of Mifu, turning SanhaoDuanxian-cun to Pima-cun, Blending Baoshi-sanbi with Pe n Spinning of Van Gogh, and only to find out the very way to turn dot to line, line to plane, plane to shape, and shape to pattern, which will present the beauty of the pen and ink, the imagery, arti stic conception and space that will fit in the theme properly, to present the beauty of the subject a nd object with Visual Images, and reflect the overall effect of the refreshed images emerging and mighty images stacking and the artistic conception of spring. In the view of this skill, it builds sh ape with Zhongfengdian-du, makes the prospect with Sanhao-cun, the cun, the ink-using and pen craft are interlaced. It deserves research because of its practice that intergrates so many kinds of s kills, and just turns out to be the expected result. It’s named "SanDu-cun" for the idea and practic e of this experiment.Through the practice of producing the Impression of Spring series, which makes me feel that the development of the skills of Chinese landscape painting which has lasted thousands of years must depend on the combination of necessary learning of traditional skills and a lot of practice thus encouraging me to make a better contribution to the dissemination of national culture.