On The Influence Of Photographic Perspective And Context On Contemporary And Contemporary Painting

Painting and photography is art in two different categories, since the invention of photography, on the development of the art of photography has influenced changes in painting. So to speak, the first part of the history of photography to some extent, can be said to be a microcosm of the history of painting, and half also benefited from the achievements of painting helped photography. They have many of the same artistic language, but they have their different characteristics. The date of the invention of photography since it is closely related to the art of painting. Early photographic art to mimic the painting based photographers to watch the way of looking at a painting photography, with the development and impact of photographic technology, more and more artists began to look at the way a photographic interpretations painting.Modern photography and painting in the growing field of interactive and is forming a new art flow, which emerged in numerous works of art more than the conventional variety of the original state of the art special form of structure, but also demonstrate a new art charm. However, interactive photography and painting, as well as new forms of expression and visual language generated by such interaction, also sparked controversies. Some view is that the interactive photography and painting will cause assimilation of art, photography or painting weaken independent art features.Photography was first invented until now from it, from the beginning of serious,complex, and now free, easy to use. Few people can fully understand it. Most people’s understanding of photography is only to stay in it can easily record images, even some people who work in the art of painting, it is not much better understanding, but also use it as a means of coverage. In fact, the depth and breadth of photography is much greater than most people imagine. The revolution brought photography to watch the way it is swept every aspect of our art. In this situation, I think more to the large viewing angle should be to think more with our eyes and hands to feel, not simple imitation draw, but the sensibility of these things and the people themselves combined with China.