| Landscape painting depicts nimbus of heaven and earth, and natural essence,nowadays landscape painting has become a indispensable important branch of traditional Chinese painting, as early as the period of wei and jin dynasty has gradually separated from the figure painting became an independent painting,landscape painting during the period of sui and tang dynasties to the five dynasties and ten states development tend to be more prosperous and perfect, after a period of south song dynasty is reached the peak of the art, and various masters emerge in endlessly. Northern song dynasty landscape form of composition, high image kuang Xiao Yuan, pen is rigorous. However, later generations to the development of the landscape painting have larger mold must surpass our predecessors, the difficult and glorious historic figures in the hands of "four" southern song dynasty, their composition ink innovation is surprisingly a bright. Of which Liu Songnian, Ma Yuan,these are not escape Li Tang illustration on the drawing of trace, however the layout of the strokes as seems not say there is no greater comparative between them, says Mr Chen Chuanxi Liu Songnian pull Li Tang backward, and Ma Yuan is developing forward the composition of Li Tang layout and ink technique is worthy of in-depth discussion, this paper hope through the study of the two painters of southern song dynasty landscape painting is a simple comb before and then to the understanding of the ancient Chinese landscape painting has more depth. |
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