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On The "Error" In Traditional Chinese Paintings

Posted on:2013-12-27Degree:MasterType:Thesis
Country:ChinaCandidate:J Y GuoFull Text:PDF
GTID:2175330482966228Subject:Painting
Abstract/Summary:PDF Full Text Request
Commentators learn the process of painting, such a phenomenon is always confusion:Classroom sketching or creative, always accurate or form or color, namely the vision true as the main criteria in judging of the painting, and appreciate the album or the original of the Western oil painting masters, we continually praise the art of paintingthe realm of height. Self-reflection, I think this cautious approach to learning caused by our side to see the master side is learning how to make things. Own painting assignments or creative is always struggling with the form or color accurate or not. But in most cases, we found that we seek to form or color accurate, "real" but the paintings are not "pretty", and not necessarily their own feelings and to express "true". So I think as a painter, in the process of learning painting should do more to understand what is art, learning what is art, is essential. Oil Painting Is only "quasi" and "real" thing? On these issues on the art "error" and the real analysis of commentators have tried to get a clear understanding.The first is to solve the problems of their own thinking, learning the art of an understanding of the clean-up, Secondly, due to the invention of photography, our artist a lot of time in the creative use of photos, had a lot of photography before the invention of the problems encountered by the traditional artists, The painting should put emphasis on the beauty of the painting language itself, should put emphasis on the nature of art and emotional strength, the strength and painting of God to understand the world to reflect the unique position of self-non-decorative.
Keywords/Search Tags:traditional, painting, real, error
PDF Full Text Request
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