A Study On The Aesthetic Thought Of Music And Music In Pre - Qin Confucianism

In this paper, "Notes on Music " A Case Study of the pre-Qin music and dance aesthetics, to ensure the basic research first on the " Notes on Music " fundamental issues Dynasty, and then through the interpretation of the " Note on Music " of each chapter, from phenomenology aspectsof "Yue" were placed under a total of eleven essays, classified and placed under the artistic sociology phenomenological hermeneutics, and combined with " Yue " in particular the important aesthetic category interpretation of the " Yue " conduct a more in-depth study. Research on the " Yue " in this article is to be accomplished by analyzing diverse forms of pre-Qin aesthetics aesthetics of music and dance to, not only to Western philosophical framework of " Yue " for analysis, more importantly, on the " Note on Music " The focus in order to reflect the original form of music and dance as the basis of " poetic wisdom, " the center, and then get the relevant contents of the comb in order to achieve its practical significance. In addition to writing this article follow phenomenology, sociology of art, hermeneutics and other Western philosophical framework analysis and discussion on the " Yue " chapter is more emphasis on the " Yue " of this "poetic wisdom" of the origins of Comb lead and non-blocking. Most major research method is based on " Yue " as an example of the pre-Qin aesthetics " Yue " represents the research literature on research methods. This paper studies the text object thought the pre-Qin music and dance aesthetics, " Yue ", in Shanghai Ancient Books Publishing House in September 2008 version of the Han Zheng Xuan Tang Dynasty Brief Account of justice, Lv Youren finishing "Book of justice" for the master copy; to Zhonghua Press, 2001 Wang Wenjin decipher the book "Rites decipher" and Wang Yun-wu editor, Meng’ou Wang note translation of "The Book of Rites Annotations & Translations" as a control on the " Notes on Music " text reading. On the structure of the paper in order to arrange for " Yue " was placed under chapter(relating to the contents of phenomenology, hermeneutics have table of contents, table of contents related to sociology of art) as the main part of the paper; the pre-Qin Confucian studies music and dance aesthetics background and the " Yue " basic research on issues related to the first part; and finally to " Yue " in the interpretation and analysis of key areas and “Notes on Music” in contrast to the end of the comparison, trying to reach the whole thesis demonstrates integrity, structure Compact, a prominent theme.