On The Artistic Style Of Female Painters In The Ming Dynasty

Traditional Chinese painting is a male of art history, "missing women" in the orthodox Confucius thought of the old society, women’s social role and subordinate position determines the emergence of this phenomenon. But according to the record of the jade set point, the number of female painter in Ming dynasty more than the sum total of the former generation presents an unprecedented "prosperity", this is the outcome of combined action of various factors. In Ming dynasty, the development of economy brings to people’s minds become active active, especially li zhi in the short answer to women learn to see the book for the first time puts forward "equality between men and women" in theory, the new trend of germination to make some progress man started to pay attention to women’s painting and their talent ability gradually. After the Ming dynasty, made more literati officialdom have bureaucracy corruption, landscape, and valentine focused on those activities. Literati paintings, further development of the growth of the female painter with stealth and generated considerable progress.Which celebrity artist and painter of brothels constitute the main body of the female painter in Ming dynasty, which artist mainly from family, from fathers or husbands, bound by female social norms and learning methods mainly copy the ancient painting, painting language and style is difficult to innovate. The whorehouse painters don’t have that much on the technique of expression of bondage, more casual nature on composition, pen, on the subjective expression from the attic painters have more play space.In Ming dynasty, female painters like a bright pearl in the long river of history development in yi yi is unripe brightness, adorn the painting in the Ming dynasty, also to the development of modern and contemporary female artist plays a great enlightenment and reference.