A Comparative Study Of Zhao Qiqian And Wu Changshuo 's "Plum Pattern"

Zhao Zhiqian and Wu Changshuo are great masters of stone flower and bird field, in the "Dao Xian ZTE" since, in the stone picturesque, two people have made remarkable achievements, the development and prosperity of later generations freehand flower and bird painting has played a huge role. And the influence of a large number of artistic talents. In the practice of art two people, mining on this theme, the two left the world a large number of Each has its own merits., immortality, has important significance in the history of painting.Since the Song Dynasty, there are many paintings of Zhao Zhiqian and Wu Changshuo Mei you, as a prominent painter in the late Qing Dynasty, the painting "stone thick brush, open up a fresh outlook". It not only created a new generation and broaden the painting theme. However, talking about Zhao Zhiqian and Wu Changshuo’s paintings often focus on its rich colors and strong strokes and complicated shape, for the study of their Meihua schema is insufficient, in-depth study of them in the painting of the plum blossom is very important for understanding their schema. This paper discusses Zhao Zhiqian and Wu Changshuo through the plum schema, and then analyzes the function and value of other works and the overall style of the flower.This paper also focused on the two works "composition", "pen" analysis. According to the two works presented unique and ancient "plum" in essence, the two people known as the "plum multi potential branch mapping method". This mapping method, in Wu Changshuo there has been further development and improvement, and further apply this method in the stylized, Wu Changshuo highly refined and perfected, fully formed form a new style.