The Continuation And Inheritance Of Dong Yuan 's Landscape Painting

The development of its cultural context, with the past and the role of research Cheng Zhi Yan Dong Yuan landscape context of exploring the important academic significance and value of traditional landscape painting case for the overall development of the artistic language of the play. Dong Yuan unique artistic style, making him as the source of the landscape context in the history of Chinese landscape painting can be sustained for millennia. Dong Yuan painting in the same period and the early Song Dynasty was people eager to learn, the giant natural landscape is a typical example, and then gradually expand its influence in the Shen Kuo, Mi Fu, who waves. Chao, and Huang Kung-wang, Wu Zhen, Wang, Ni Zan are affected style of Dong Yuan. "Four Masters of the Ming dynasty" in addition to Qiu Ying Dong Beiyuan also inherited the mantle. Dong Qichang more especially based on "our home Beiyuan" proud, in the Qing Dynasty "four kings" and other landscape for future generations in their style and spirit are reflected. Development of ancient Chinese literati painting and evolution based on respect for the traditional straight for the origins of the premise, to inherit the context of traditional and cultural development of the Past today. Dong Yuan and later successor context of clarity is quite complete. This paper tries to slip in this context as a starting point to point and surface analysis of the important role of Dong Yuan landscape context in continuous transmission of human spirit.