A Study On The Narrative Of The Film Of Anti - Japanese War Since The New Century

Since The National Crisis1932, the Anti-Japanese War film has been attracting theattention of the filmmakers. Especially after entering the new century, the production of theAnti-Japanese War film presented a vigorous development, and also presents some newcharacteristics.Why the Anti-Japanese War film can still attract the audience after eighty years of windand rain? How to create a popular character? How to develop a new theme? These problemsare largely benefited from the unique narrative charm. This article selects the new century ofAnti-Japanese War film as the research object, and it mainly study on the perspective ofmovie-narrative, closely combined with the film text, respectively from the narrative role,narrative viewpoint, narrative themes and narrative pattern to analyses the context of the newera of the Anti-Japanese War movie narrative characteristics, and also points out its existingnarrative plight and shortcomings.This paper argues that the new century Anti-Japanese War films present the followingtraits: Firstly, from the narrative role settings, the former is relatively single, while theybecome more complex. Secondly, on the narrative point of view, also no longer constrained toa single zero focus narrative point of view, but the pursuit of diversification in a variety ofnarrative point of view of aesthetic style; Thirdly, in the narrative theme, it is not only thecontinuation of the previous theme of patriotism, heroism, but also exploring the depth ofhuman nature and reflecting on the war history; In the process of the shift, of course, alsothere are some difficulties and problems, which are badly in need of solution.