On The Social And Romantic Tendency Of Cheng Fangwu 's Literary Criticism

The creation society in the period of May 4th movement is a literary club, they advocate individual character liberation, self-expression, actively explore the road to save the old literature. Fangwu affected by western romanticism literature theory, with the consciousness of independent innovation, formed the theory of romanticism and realism and blend with each other. Fangwu, meanwhile, in the revolutionary work practice pays attention to the important role of the revolutionary literature and art, forming has a deep connotation of revolutionary literature, have made outstanding contributions to the development of the revolutionary literature. Today, the revolution of his literature thoughts have important theoretical and practical value.This paper is divided into five parts altogether. The first part mainly lists of fangwu respectively discussed his theory works, cut into the criticism practice, traditional and modern, western native and theoretical criticism, comparative horizon research, creation, and periodical value, historical position and Angle of impact study and a few novels explore research and academic point of view, and explore the Mr Fangwu critical discourse background and impulse, romantic sentimental features of China’s accession. The second part from the historical mission of revolutionary literature, literary practice three aspects of the characteristic of the time spirit and critical theory, explore fangwu literary theory of the social and the embodiment of revolutionary features and characteristics in literary creation practice guiding significance, "after all the sorrow and the sorrow of the world of joy but joy" intellectual feelings filled with fangwu, propel him strong social sense of mission and social responsibility, therefore, fangwu choose friends with gro to support and build their own ideas, focusing on "social aesthetic" based on this show social and revolutionary characteristics. Both reflect the real time status, and reflects the human nature of aesthetic experience. The third part from the "true" literature and art form, "beauty" on the cultural mentality and the interaction of the three environmental harmony, explore fangwu "true" "beauty" in literary theory "full" aesthetic connotation and its embodiment in literary activities practice. The fourth part from the traditional culture of Chinese and western well versed in theory and practice significance and limitations of the two aspects, discusses fangwu theoretical creation in the Chinese traditional culture elements, and its historical significance and limitations. But fangwu literary thought is subjective extreme and childish imperfect side. The fifth part summarizes fangwu ideas of literary theory and put forward the current literary creation how can compatible with the theory and practice more, how to more in-depth thinking and research.