A Study On The Creation Of Tibetan Characters' Freehand Brushwork

Chinese painting has a long history, profound, the painting art in China five thousand years of splendid culture has a unique Oriental charm. But in the modern society with highly developed economy, the art of Chinese painting to a variety of subject matter,free development. As a multi-ethnic country, in the long history of painting, reflect and minority theme paintings can be found everywhere, in many of the works, for the Tibetan nationality theme performance is particularly eye-catching.As one of the fifty-six China Tibetan nationality has a long history, the natural environment and unique cultural landscape. The average altitude of over 4000 metersof snow covered plateau has the unique climate and geographical environment, as this is known as the roof of the world place covered with a veil of mystery, it is the poor living conditions, let Tibetan areas people emit brave, straightforward, simple beauty of human nature, and they are pure, noble spirit the world makes this once retire areagradually become the painters pursuit of spiritual home and the most ideal soul habitat.From the beginning of the last century forty’s, the Tibetan nationality theme began to enter the field of vision of artists after the founding of new China, pay more attention to,and become one of the themes, the most attractive today, after more than half a century of development, whether it is from the number of participants, the content of the works, works number called unprecedented development, a the spectacular, the Tibetan nationality theme painting has become an indispensable part of China modern art history. In the process of development, due to the impact of western culture onChinese culture as well as their own reasons, the Tibetan nationality theme freehand figure painting in the aesthetic pursuit and artistic expression also appeared many problems worthy to be discussed. This article take the Tibetan nationality themeChinese freehand figure painting as the main line, is divided into four chapters, the firstchapter of the Tibetan nationality theme on the early history of Chinese paintings were traced back, and in twentieth Century the Tibetan nationality theme China paintingdevelopment reviews and research. The second chapter according to the paintings of different periods, summarizes the emphasis, the third chapter analyzes the development of the Tibetan nationality theme of freehand brushwork figure painting still existing problems, the fourth chapter in conjunction with their master’s degree paper of the Tibetan nationality theme of freehand figure painting creation practice thinking and perception.