The Origin And Development Of The White Dance

The reappearance of the four seasons Bai Zhu dancing, refers to a certain degree orreengineering literature to varying degrees on the ancient dances and original meaning of the text,or absolutely and completely "representation" is inherently different. As a matter of fact,"representation" seems not possible either in theory or in practice. The value of this research isthat the static historical material alive visually on stage.First of all, this rendering is based on historical information related to the remnants of Bai Zhudance study, to break from traditional culture, drawing on dance "living fossils"-dance-drama, folkdance and other remains of the passing of information, discover and reinterpretation of history.Secondly, the need to expand your imagination, creatively to these historical materials aredynamic, static technologies. Only if we talk more about mining and traditional Chinese danceculture and have mastered technology blend together, thought to be translated into practice.Finally, reproduce the essence of Chinese ancient dances is how to refine and develop theirdance, not only on traditional dance culture are part of the inherited, it is Chinese classical danceis able to obtain the key to the wealth of new inspiration. Looking back along the classical danceof creation must "keep the grid, unconventional, a grid" this road, this "grid" is both ideas Chinesetraditional dance culture unique, but also the body language of dance forms of specific signifiers.Article by the reappearance of the four seasons Bai Zhu dancing experience and awareness,exploring contemporary reconstruction of Chinese classical dance two questions, first, the ancientremains of dance research, second is how research results can be presented by means ofvisualizing dance--especially the sleeve dance.