The Space And Space Construction Of Abbas Film

In contemporary film pattern，"the new Iranian film" with a simple filmmorphology， deep and serene emotional experience，real and heavy humanity，won aworldwide audience，but also to find where the aesthetic qualities of the nationalcharacter．Iran’s efforts to show movies on globalization and localization to explore theroad of integration，and as a basis to develop and lead the second wave of Iraniancinema．In the context of cultural evolution in Iranian cinema，Abbas is inheritance andinnovation of the previous generation director Dalu Shi Zhu Yi· Mehmet local realiststyle．He put the lens at the inner world of children as well as ordinary people，take"political alienation" to tell the story with a mild attitude，creatively use of Italianneo-realism art practices， and continue the Persian philosophical exploration ofmankind’s ultimate meaning，as "Iran’s new movie "laid a solid self-reflection，self-transcendence path，eventually in a unique, fresh，funky style on stage majorinternational film festival to show their aesthetic ideals and pursuits．Abbas and raised by his "new Iranian film" phenomenon have aroused theattention of scholars in the late1990s，and in the country set off a period ofboom．Abbas is currently on the film studies conducted mostly from the analysis ofartistic style，film language，narrative methods and other art forms internally for us tofurther research these discussions．which provide a more informative literature，whileFilm Studies from a new angle for us to provide a cross-section of Abbas thedimension of the reference．Through the film and video peruse literary texts，literature integrated in eachperiod，we found that the film in which Abbas has created a special space-time hasphilosophical connotation，where we study the aesthetic qualities of the depthdimension from the standpoint．Thus，on the basis of art forms where Abbas hadconducted research，it is focusing on how to analyze the performance of the integrateduse of a variety of techniques to construct the multi-space-time proximity arrived torestore and truth with the world’s people to try，which is from the film art This imageforms the ontological starting to text and images as the basic unit of ideographic，from time and space to experience the art how to build a similarity analysis based on rhetoricangle image metaphor starting to do a study on film aesthetics Abbas inspection stoningmove．Specifically，the film works mainly in Abbas’ Where is my friend’s house，" forexample， through the expression，the lenses language he uses and other forms ofstructural Marxist-style analysis to investigate Bazin" Image ontology "of its creativeinfluence，and to characterize the nature interpretation and hermeneutics reductionmethods rely on iconography，art and aesthetic value analysis of its efforts to build amulti-movie has the time and space，and strive to have a more comprehensive，deeperlevel research of Abbas’movie．Paper is divided into five chapters，the first chapter of the thesis is to study thebasic framework and overview of the topic．Including film studies at home and abroad，Abbas outlined the context of the situation，innovation at the paper，the basic ideas andcontent，and the purpose and significance of research topics and so on．The second chapter reviews the Abbas artistic career．First,Abbas aestheticpursuit is from painting and advertising design of Abbas， and then embarked on theroad of art cinema experience from his generation to find the underlying causes ofaesthetic style， and then， from the perspective of a dancer wearing shackles and howhe analyzes self-reflection in the film, self-transcendence and Philosophy ofimplication，but also from the cultural identity of a nation starting communicatoraesthetic exploration of its ideological origins of the film lies．"video ontology" as a theoretical starting point，the third chapter analyze artisticexpression and language usage where Abbas shot films on real life and spaceconstruction．That the first is for the interception of Abbas movies live stream will be inthe form of analysis to see the impact of modern philosophy of life for him，and fromthe use of non-professional actors Abbas of trying to live close to the truth of reducingits iconography scene，rhetorical analysis，see its time to survive a deep impact on theirartistic expression，and finally to explore its documentary shooting style as a reflectionof the phenomenological aesthetic ideas． The fourth chapter discusses the visual language point of view of time and spaceto construct multiple Abbas movie showing in the poetic qualities of the film aestheticformalism Abbas style traceable．Chapter V shape from the characters，the theme selected for children and naturephotography and other art depict examine Abbas in his characterization of the film formultiple spatial and temporal construction process，how to delay the continuation ofIran layers sages of the world，life，asked the ultimate question of love，etc…, learn realskills to explore the movie world truth．By examining the overall number of dimensions from the movie performedAbbas，and consider the impact of their films in the context of the evolution of Iraniancinema， exploring with Abbas as the representative of the movie，"the new Iranianfilm" to bring contemporary Chinese film practical enlightenment．...