A Study On The Paint Of Chinese Painting And Calligraphy

Has always been cherished by the literati,pen, ink, paper, inkstone, known as "four treasures of Chinese", which ranks first is the pen. Here the "pen" refers to the brush, it is the main tool of calligraphy and painting, also a unique Chinese cultural symbols. Brush has been produced thousands of years, it carries broad and profound history and culture, plays an important role in the history of Chinese civilization. Its independent artistic value and technical value passed out ideas and aesthetic taste of Chinese literati, also embodies the basic creation characteristics of traditional Chinese literati.This article, from the perspective of literary creation, selects a brush (classical Chinese calligraphy and painting tool) as the research object. To study this issue, we use physical image combined with classical literature, the so-called double Evidence Act. First, we present and comment literature and physical brushes, summed up the development path and strict internal logic of brush. Secondly, we systematically analyze the Chinese painting and calligraphy pen division,analyze different types of brush types of molding methods and craftsmanship at different times.Then, through a functional analysis of the various structures and the role brush play in painting and calligraphy, we explore the instrumentality of Chinese brush painting and calligraphy.In addition to being a utility, brushes also has some decorative features, reflecting the author’s aesthetic taste. Finally, the author summarizes and outlines the factors that affect the morphological changes of the brush, indicates the reasons that impact the development and changes of brush shapes since the brush has produced.Brush and pen culture plays an important role in the history of our civilization, this paper, starting from the brush this specific objects, reveals several important characteristics of brush making.By exploring the relationship between its own selection, production, shape, and style of painting and calligraphy, we aim to prove that there is some necessary connection between development Track and strict internal logic of brush and its demands in the process of painting, hope thereby to explore the basic features of traditional Chinese literati design.