| Image is the main means of expression vectors and the movie as a ‘language’, the image with the transmission of information and expression of thoughts and feelings function.Image style can be seen as a unique personality image of visual culture, it is not only the content and form of the film in the harmony of the show’s artistic temperament and overall visual style, but also reflects the director’s creative personality and aesthetic purport.From 1994 movie debut, "bottle rockets" come out, in 2014 nine Oscar nominations, "The Grand Budapest Hotel", American director Wes Anderson co-directed three short films and eight feature films.His film repeatedly nominated three major European International Film Festival main competition, especially his latest work, "The Grand Budapest Hotel", not only won the 64 th Berlin International Film Festival Silver Bear award, also in the 87 th Academy Awards in the Best Original score gains, Best Art Direction, Best Makeup and hair design, best costume design award four audiovisual categories.As the United States a new generation of directors will own artistic style and independent spirit and Hollywood highly sophisticated business system integration, Wes Anderson works in a unique style made him a distinctive image at the same time many of the American independent film director is particularly striking and very easy to identify.This article attempts to Wes Anderson film image style multi-angle analysis of academic, try and sort out the rules and characteristics summarized the work itself by showing its image style area. Therefore, first of Wes Anderson eight feature films were based on close reading, to the color and lighting, composition, camera and other design elements as a starting point, a careful analysis of the director’s highly stylized image techniques is how the movie content, emotion and theme and serve a clever fusion.Secondly,for image aesthetics Wes Anderson movie features to refine and generalize.Finally, the paper summarizes the theoretical and aesthetic sources of Wes Anderson movie style image formation, as well as the development of the Chinese film instructive. |
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