A Study Of Ci Poems In The Western Jin Dynasty

Western Jin Dynasty is the Fu’s outbreak period. According to Yan Kejun’s The literature of the ancient & Qin & Han & Three Kingdoms & Six Dynasties contained in the statistics, the number of the Object-Chanting Fu in the Western Jin Dynasty occupies more than 50% of the total Fu, is three times the number of the Object-Chanting Fu of Three Kingdoms period, much more than the gross of the Object-Chanting Fu which was made in the northern and Southern Dynasties. But there are not many scholars who pay attention to the Object-Chanting Fu in this period.In respect of the Fu’s research, no matter the number or the depth of the research in Han Fu are better than the research in Wei&Jin Dynasties Fu. There are so many monographs which are about Han Fu,such as Zhang Qingzhong’s The research of Han Fu, Gong Kechang’ The research of Han Fu, Cao Shujuan’s The tradition of writing in Han Fu, Jiang Shuge’s The meaning of Han Fu, Zhang Cangshou’s The Aesthetics of Han Fu, Kang Jinsheng’s Vertical and horizontal Han Fu, Jian Zongwu’s Historical Han Fu and so on. But the number of the research which is about the Fu of Wei&Jin and Southern&Northern Dynasties is relatively small. Most of the researches in this academic field are the general theory which is combined with the Han Fu, such as Cao Daoheng’s the Fu of Han and Wei and the Six Dynasties, Ma Jigao’s The history of the Fu, He Peixiong’s A brief discussion on the writer of The Fu in Han and Wei and the Six Dynasties and so on.There is only one monograph—Liao Guodong’s The research of the Object-Chanting Fu in Wei&Jin Dynasties which is target Object-Chanting Fu in Jin Dynasty as it’s goal.The reasons which conform this situation are two. One is the high achievement of Han Fu, and the other is the low appealingness of the Fu in the Western Jin Dynasty which is prefer to write object or theory. But we can not deny the value of Object-Chanting Fu in the Western Jin dynasty.Since the Wei and Jin Dynasties, people pay equal attention to the poem and the Fu. In this period, poem and Fu integrated in many ways, such as the technique of writing, theory and theme, content and phonology. It is an important transition period of chinese literature history.In order to relate and analyze the Object-Chanting Fu in Western Jin Dynasty inthe round, this paper begins with the origin of the Object-Chanting Fu, discussing the process and the different images of the Object-Chanting Fu in Western Jin Dynasty,and look for the reason of the prosperity of Western Jin Dynasty.