On The Oriental Vague Context In Painting And Art Design

In this paper, the object of study is through exploring and summing up the spirit of the east and west painting visual art and design art connoisseurs and visual performance from "visual ambiguity" feature, in order to comb and expound the "Oriental blurred vision context" theory. This thesis illustrated the "fuzzy" has two levels of meaning, is not only the inner subjective spiritual feeling and experience of nature, may also be present in the visual image of the art of painting and design case of the content of the visual display. In he conclusion part of this article, the "Oriental visual fuzzy context" is proposed as a new theory, the theory of the argument, from the perspective of the study of the ambiguity of "natural philosophy of the east", tries to expound and analyzed the cause of the "Oriental isual context" fuzzy factors, and put forward the social factor is important clues to visual context "fuzzy". In the theoretical part mainly discusses the influence the relationship between the causes of eastern philosophy and nature; Reflect on and reconstruct the natural attribute of all things the fuzzy characteristics of philosophy in the east and ti east in the context of visual performance and impact.This class of research scope around the design and the spirit of the art of painting and visual performance, from the east and the west painting art blurred vision when it comes to business context and concept of design art in Oriental philosophy connotation. In nature and the inner relation of Oriental philosophy, further based on visual features of Oriental zen and philosophical connotations derived are summarized and expounded, so as to explore to draw the Oriental culture and conform to the Oriental aesthetic characteristics of "Oriental visual context" this conclusion; To determine its Oriental style analysis and discussion on the based on fuzzy features of natural essence of Oriental visual context.With social factors on the impact on the spiritual world of transformation and, to be social factors formed by the trans formation of the Oriental view of nature of the work of artists and designers, to explore and comb fuzzy visual feature in their works, the viewpoint of the "Oriental blurred vision context" theory is presented; In this paper, the theory in this paper, the combination of the perspective of philosophical theory, to analyze and explore the "Oriental visual fuzzy context" theoretical sources and the reasons. "Oriental blurrec vision context" point of view is put forward, explained the Oriental painting between visual art and visual design that are Shared by blurred vision characteristic cultural root and source, explained based on the different art categories and visual representation in philosophical thinking and the consistency of the Oriental aesthetic artistic conception. For better understanding and research of Oriental culture and aesthetic system of painting visual art and visual design has a positive meaning, based on the Oriental artistic conception and cultural brand design and visual communication practice is of great referential value.