| JiaoMo landscape painting has a long history, but the JiaoMo application as a kind of painting methods to sketch and explore, in modern times. JiaoMo landscape painting than ink, is more simple, and the higher request to the pen. If within the chromaticity of hope in the most concise do most abundant effect, to continuously improving the quality of the calligraphy. JiaoMo landscape painting in the "ink out of the pen" this is an obvious causality, moreover the JiaoMo prone to "bitter" "plate" "dead" and other ills, Wang Haolu in comments Cheng Sui tells us:"including spring, chaps autumn wind, but MuQian." Thus JiaoMo this ancient, jedaiah painting techniques need through hard work in practice to achieve a certain degree, and we need to note is that:if you want to achieve "including spring, chaps autumn wind" effect, you need to give full play to the "pen" and the causal relationship between the "ink". Under this background, the author first of all information on JiaoMo landscape painting of the ancient and modern, Chinese and foreign, found JiaoMo landscape painting has its own development, its development status shows JiaoMo landscape painting research has certain value and significance, and we need to concern and attention.JiaoMo landscape painting of the "pen", "ink" and for the use of "JiaoMo" in the painting, in my previous experience as a guide, combined with the sketch practice, exploration and analyzes JiaoMo using the method of pen and ink category of landscape painting sketch, found in the process of JiaoMo landscape painting sketch, under different natural scenery view, show the independence, the ink has a certain aesthetic effect. About JiaoMo landscape sketch of the ink is applied, roughly discusses from the following several aspects:the use of a, line, including functional, emotional, writing, line and line of multiple derivative and expression; Second, the use of ink, including pens for ink fruit, color layer and the actual situation and embellish, ink the categories of the aesthetic; Three, pen and ink relations, main body and the actual situation, including picture and convey the artistic conception, landscape characteristics and main bodies feeling and natural space and image space.Through the JiaoMo analysis and research of the relationship between landscape painting sketch in ink, in addition to the traditional way of performance, the author found that ink can also explain in some other light/from a different Angle, such as "JiaoMo" can play different roles in different cases, is sometimes used to originally drafted, is sometimes used to creation. In addition, the sketch will eventually implement in creation, on this basis, the author JiaoMo in painting as well as the creation and development of the application from the following points are summarized:one, the re-recognition of traditional pen and ink; Second, from JiaoMo to ink to create; Third, JiaoMo landscape painting.Hope that through the study of JiaoMo landscape, this paper explore JiaoMo expression in landscape painting sketch, comprehensive and in-depth understanding of the landscape painting pen and ink language. Hoping to paper as a starting point, explores the author view in the landscape painting learning path, and to explore the landscape painting ink form language to provide their own experience and the summary, so as to promote each other. |
