| Han Shaogong is unceasingly exploring the style of cross-style writing in the new century. He is a writer of philosophy and speculation with a stylistic self-awareness. He has distinct outlook on novels and essays. During the process of exploring the artistic techniques in cross-style writing, he paid much attention to the contents and combined the text contents and forms appropriately, highlighting its aesthetic characteristics. The thesis consists of three chapters. Chapter one focuses on the changing form of style by Han Shaogong in the new century. It is concerned with analyzing the text of cross-style writing by Han Shaogong and the tendency of prose style’s appearance in novels and novel style in prose, which breaks the boundaries between novels and prose in order to integrate them from the dimension of form of style. Han Shaogong also uses the writing techniques of different styles in his novels, prose, essays, comments, notes and informal essays to change the form of style. These forms of style mark his writing style. Chapter two refers to the ideas of the creating in the new century. He based his cross-style writing on saving literature, deeply explored humanity and kept a sense of crisis in his mind, which made him consciously shoulder the responsibilities of introspecting the defects of modern civilization. These are the basis of Han’s ideas. Chapter three is involved with the cause of Han Shaogong’s works of cross-style writing. This chapter includes his change of literary disposition and his aesthetic concepts, the influence of the oriented and western literature and the social development and the impacts of readers’ acceptation and interaction, which dived Han Shaogong to move ahead in exploring the cross-style writing. Han Han Shaogong’ exploration and practice of cross-style writing provides a precious reference for the modern literature creation and a new thinking way for the researchers to research cross-style writing from the perspective of scientific principle. |