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Research On "sash"

Posted on:2016-07-16Degree:MasterType:Thesis
Country:ChinaCandidate:C Y XiaoFull Text:PDF
GTID:2175330461467685Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Jiang Tie is a crave reproduction of an inscription or painting, which was made by Pan Shidan in Shanxi Jiangzhou in Northern Song Dynasty.Although there is no clear historical records about making time in Jiang Tie, it is a very early private copy.Jiang Tie had attracted amounts of scholars when it was found. However, since the death of Pan Shidan, after his two sons were separated, Jiang Tie version emerged in an endless stream, informing the Dong Ku versions, Xin Jiang versions, Wu Gang versions, and "Liang" word is not complete versions and so on. In the Southern Song Dynasty, Jiang Tie nearly disappeared from the scene. The researches on Jiang Tie works were not a few, but the scholars were also difficult to explain the relations among various versions. At the two dynasties, the degree of concern in Jiang Tie reduced, but there were a small part of calligraphers researched and studied it. Qing stelae developed prosperously, however, calligraphy still had a continuous and strong vitality. Many dignitaries were faithful inheritance Tiexue. But Jiang Tie as the very important rubbings from calligrapher’s incriptions, still obtaining particularly high concern. From the early Qing Dynasty, calligraphers or collectors continuously to collect and research Song Dynasty Jiang Tie rubbings. Their attention on Jiang Tie was not lower than that of Chun Hua Ge Tie and Da Guan Tie. This paper will mainly discuss the process of spread and evolution in Jiang Tie,at the same time, analyzing the existing relationship between each versions. The first chapter will sort out and discuss publication and editions of the Song Dynasty Jiang Tie, and providing some new views on the main Dong Ku versions carved problems; the second chapter will make a brief exposition about the spread of Jiang Tie in the two dynasties, relating to the situation about concern of Jiang Tie that from the part of calligraphers and the collectors, and this stage is a complement Jiang Tie acceptance history,the third chapter will necessarily conclude and discuss the collection and study about Jiang Tie from scholars in Qing Dynasty,and focus on the detailed elaboration about related issues in Jiang Tie.
Keywords/Search Tags:Jiang Tie, The Song Dynasty rubbings, The pseudo Jiang Tie
PDF Full Text Request
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