On The Emotion And Form Of Modern Ballet

This paper intends to establish a brand new system with movementfrom the perspective of aesthetics, discussed by comparing the aesthetics of expressionism and formalism aesthetics view extended Susanne K. Langer’s symbolic aesthetic theory. From this perspective, the aesthetic characteristics of contemporary ballet and theimportant role of emotion and form in the creation, performance and aesthetic of contemporary ballet are analyzed.It is not only a subject of ballet category, but also a subject in the field of dance psychology and Dance Aesthetics.. Dance psychology as a dance school cross disciplines and psychology, the psychology of aesthetics as a branch, for art practice has important guiding significance and theoretical value; at the same time, dance appreciation, criticism, criticism. It is the emotional, emotional, personality, temperament and other factors in the psychology of the dance performance, creative, aesthetic and other aspects, for the dance art has a major impact. It can be said that the dance psychology, to some extent, extends the visual angle of dance aesthetic and dance criticism, and also provides more and more reference for the two scientific method and theoretical basis.Secondly, the development of ballet in China is extremely fast, the huge audience base and the rising professional level make ballet dance the power that Chinese Dance circles cannot ignore. The professional skills of the Chinese dancers are getting higher and higher, and more and more players can be involved in the competitions in the world, and will be refreshed in the international competition again and again. These results indicating that ballet development in China has been out of the 1950 s from Russia into the bud, are now moving toward a world power position to work hard, try to construct Chinese ballet school. In acquiring numerous achievements in professional practice with outstanding results at the same time, in our country, the research to the theory of ballet also in the continuous development and progress, but the empty window at the time and lag or make us lack of a theoretical accumulation and theoretical atmosphere in dance theory and scientific research, and affect the major outstanding theoretical achievements is rare.Based on the analysis of the role of dance psychology, emotion and form, this article intends to discuss the essence of dance. The main purpose is to hope that through the use of aesthetic theory of modern ballet grasp the emotion and form, exploration of modern ballet dance change research evolution of culture phenomenon and art thoughts contained in the back of the help us, objective, systematic cognition of modern ballet dance, cultural origin connotation, makes the dance practitioners understanding of shaping the theme, content, form and character image on the image, a more comprehensive grasp on,to illustrate the relationship between emotion and should form, content and form of modern ballet creation in how to deal with, in order to better help the practitioners in the modern dance ballet, editing, research, there are more abundant theoretical reference. The development of the discipline construction and the cultural structure of Ballet an auxiliary role, and then promote the healthy development of the Chinese modern ballet.