A Study Of Tang Yin 's Painting Art

As a non-official (li) of the Ming dynasty in the "four" wu, brilliant, is familiarwith high painting achievement, a certain contribution to the development of literatipaintings. He versed in poetry good at painting, in the show, to poetry show, in theprocess of its artistic creation, constantly explore the true of life. JingHao believesthat painting as in people’s spiritual culture, must reflect the reality of the life. TangYin for his bumpy life painting into a more rich feelings and inspiration, to expressthe literati heart laments over one’s destiny. As a painting by a cult show, make thepainting contains unique history; Through sense show, combination of poetry andpainting, to the realm of painting, which not only conforms to the traditional Chineseliterati paintings emphasize reading atmosphere, also accord with the Chinese uniqueaesthetic philosophy, the pursuit of artistic conception. Is the sublimation of imagery,artistic conception is the highest level and stage of traditional art, is the true scene,true feelings blend mutually. Also embodies the beauty of art, artistic conception withthe artistic conception in the creation and appreciation, criticism as a measure of theaesthetic standard of art. Good lyric poetry in the tang Yin’s artistic creation, mattepainting painting, poetry, books, paintings in his works perfect combination,manifests the Chinese literati painting in the pursuit of artistic conception. By his ownlife experience and above all the individual character, his unique artistic pursuit. Inaddition, we also can feel the poet artists emphasize in extreme life difficulties don’tgive up the pursuit of real life value.Writing, this paper aims to through to the historical books, works of art of poetry,on the basis of the theory of interpretation, according to the way of analysis of thework to study tang Yin’s painting, the purpose of through the study of tang paintingpresent Chinese literati painters image will use their own language to obtain theauthenticity of the painting, to grasp the literati paintings in the pursuit of the true.