On The Dance Feeling Based On Consciousness Psychology

Content:this paper mainly consciousness psychology knowledge as the research problem, the metaphysical study of the dancer’s psychological mechanism, elaborates of the dancer’s dance feeling, thus illustrating the dance feeling generated psychology mechanism and corresponding psychological conditions. The study of the theory of the true feeling for dance should be a cliche, but from the perspective of the research question, this paper still puts forward a new exploration. Past for dance feeling most artists considered\"subjective thinking\", but did not go to seriously discussed how consciousness works, or from the Angle of philosophy and aesthetics to speculative type discussion of related issues. So this academic paper in the process of discourse, pay more attention to the study of dance actual problem analysis, use of consciousness psychology discipline knowledge make reasonable explain the phenomenon of dance and scientific argumentation.This first chapter is introduction part, in this paper, the current situation of the development of dancing art in China from the Angle of the thesis has carried on the related problems of comb; In the treatment of the\"body\" and\"heart\", dance teaching only pay attention to dance style, in the process of training and dance moves the specification of the phenomenon, and puts forward the regression of the mind is dance training is fundamental; Determine the consciousness psychology research direction of this paper is mainly discusses the relevant psychological problems of dance feeling; The research status quo of psychology to the psychology and dance is studied.In this paper, the second chapter mainly from conscious awareness, this article analyzes the psychological feeling and dance mechanism. First of all, we analyzed the\"awareness\" as the fundamental distinction between consciousness and unconsciousness, but also generate dance feeling premise, the involvement of the consciousness is my\"present\", namely\"the sense of self\", so to generate my body experience. Then based on the theory of\"awareness, consciously know\" research, realized that awareness is conscious and consciousness is reflexivity. At last, through the study of consciousness structure, know the consciousness of the two types, one is the consciousness of\"know\", its content is to is a life outside of the body state of the object image, highlight the object cognition composition. Another way that consciousness is the consciousness of\"feeling\", refers to the\"I\" as a body, in the experience of the body consciousness became the focus of awareness is attention, attention entirely on the body, the body is central to the experience.The core of this paper, analysis is done in this paper, the third chapter the dance feeling under different theoretical perspectives, based on the research results in the previous chapter put forward under the category of consciousness psychology explanation for dance feeling, it is dancers to dance moves through conscious awareness generated by the experience of main body, the emphasis of here it is the experience of the subject in the present and it belongs to the experience of absolute private\"I\"; Only dance moves the awareness of experience after reflection awareness form semantic representation to know for others.In this paper, the fourth chapter, through the analysis of realistic problems in the dance, found that dance feeling generated in addition to the above conditions, also need our attention\"convergence\", it is a kind of abstract knowledge to note played a decisive role, depends on the task or intention of top-down control attention. Through to the attention of the study also found\"convergence\" notice on the site of some potential target location, and then from the site, then move to another place, the time required to estimate the whole process in a few hundred milliseconds to half a minute or longer. Maintain this note also need relevant cluster at a particular frequency synchronization issue, after the competition with other cluster can be realized, meaning that it requires constant effort can be sustained. No man can do two things at once in the same principle tells us that dance training in the eyes when looking at himself in the mirror, you of\"convergence\" pay attention to at the moment point to an himself in the mirror, feeling this time so will not generate dance. Finally the study of\"binding\" consciousness theory can help us to explain many phenomena of the dance, such as dancing, when all the different activity is how to integrate the individual into a body of consciousness; The appreciation of dance works, is often a good films we saw many times, but every time always have different feelings, including us the same dance movements in different periods will produce different feeling, and so on.Admittedly, not all on the study of art can completely scientific conclusions, dance art is no exception. But always interdisciplinary theoretical research or can make more different Angle for the research of related problems of exploration and thinking, this will be my most important significance in the research of this paper.