The Circulation Situation Of Folk Songs In Northern

Northern Shaanxi Folk Songs is a flower growing on the Loess Plateau wonderful work of art, constructed on the northern Shaanxi folk art scene, to promote a spirit of co-existence of heaven and earth, singing the life and death, the love and hate. Here, there are many to be made famous, was adapted, is durable cast of classic songs spread in the test era. Set in northern Shaanxi folk songs, language, culture, etiquette is one that is an important carrier of culture in northern Shaanxi. It has gone through in the development process of the early life of the toiling masses to only reflect the unprecedented development of the revolutionary period of reform and opening period of rage, after the cold after the1990s, and now has entered a new development stage-the media age, the fact that yes, in the case of today’s economic development, accelerate the process of modernization, Northern Shaanxi Folk Songs impact multicultural ism has lost spatial development, northern Shaanxi folk songs have come out of people’s vision, to be exact, as out of the public eye toward the edge, into the mainstream thinking of the government penetrate serious events in a large ivory tower research tool or object. But fortunately, it is also the economic restructuring and the rapid development of the mass media, to today’s media in the dissemination of northern Shaanxi folk era brought greater spread opportunities. This article intends to explore the northern Shaanxi folk songs in the background of the media from folk to folk to hard to the plight and tries to give way to Northern Shaanxi Folk Songs through media era can get larger development space.This paper consists of five parts. The first part is an introduction, statement writing background, significance and to conduct a comprehensive review of the literature.The next follows this path:Raising questions-Finding the historis-problem solving thinking strategies proposed to complete the entire piece of writing paper. The main contents of the article beginning from the the second part, the first chapter, by outlining the definition of Folk Songs, characteristics, classification, etc., to make the full text background style bedding. The second chapter. straight to the point, in northern Shaanxi folk songs directly raised the problems of modern communication, analytical Folk Songs in the context of modern communication from folk to folk to go to difficult predicament. Chapter three, finding the historis, order of time, focusing on analysis of Folk Songs in the main mode of transmission in various historical periods, and comparative analysis of the pros and cons of different propagation modes in each period. Chapter four, learn from history and summed up by the previous chapter, and then analyzes several opportunities Folk Songs propagation in the multi-media age can grasp. The fifth chapter of the merits of the conclusions drawn for the front, bold as Folk Songs in the context of modern communication function problems encountered in the process of converting several solutions proposed solutions.Overall, the study of northern Shaanxi folk song after another, but the academic study of northern Shaanxi folk songs mostly from the perspective of starting to explore literature, art, language, aesthetics, music, history, etc., from the perspective of Northern Shaanxi Folk Songs of Communication transformation analysis treatise almost no discussion to also go beyond that, and the current research on the spread of northern Shaanxi folk songs are mostly confined to their marginalized situation, generally pessimistic, the paper another way to think about the after Northern Shaanxi Folk Songs in the mass media age again toward the problems encountered, and proposed a new opportunity in the modern context of the spread of northern Shaanxi folk songs, a new perspective, is the Institute of Northern Shaanxi Folk Songs for the supplement, with some theoretical significance.