Re-read Bi Feiyu

With such a writer in Chinese contemporary literary circles, he was born’60s, ninety s as an 《Yangzidao》in the literary world, he doesn’t worry not rashness, not fawn on common not make public, the perseverance and tenacity in pursuing their own literary ideal, seriously and carefully build a rich and stereo literary world, he is Bi Feiyu, a constantly ask, cross-examine meaning, reflect on the "cultural revolution", pay attention to the fate of our pain and writer, and a base on the present beyond the reality of writer, a adhering to the Lu xun’s life, with modern intellectual position, look at national, critical national mental weaknesses as a writer, and refusal to herd is defined, writers always keep their own unique personality. Reread his books, trying to further into the Bi Feiyu, went into his literature world, come into our mind, into our own.The article on the structure consists of introduction, text and epilogue three parts. The introduction part briefly Outlines the Bi Feiyu’s life and creation, to the time order of Bi feiyu the research status and research question has carried on the overall grasp and detailed comb, in order to approach a more real Bi Feiyu, and their views through the body. The text is divided into three chapters, the first chapter is the Bi Feiyu cross-examine history spirit of exploration, from the human history, family history and history of the three dimensions of "cultural revolution", through the analysis of the work is pointed out that the history of books to explain from the viewpoint of human nature, motivation is people’s desire to promote the development of history, the family history of persistent quest is the pursuit of Bi Feiyu unconsciously, Bi Feiyu’s understanding of "cultural revolution" history and criticism from the national basic mentality on yes. The second chapter is the Bi feiyu motif of exploration, from the universal existence of pain, the breakthrough of planted the seeds of pain and pain on three levels, the human pain everywhere in Bi feiyu’s works diffuse on the work as a whole is sentimental breath and tragic colour, works of some breakthrough in the breakthrough and endure pain and struggle, people’s desire and cultural, historical, political and other comprehensive reality environment determines the pain of the people. The third chapter is about the study of Bi Feiyu national character criticism from "looking" psychology, collective unconscious and "people" on people on three levels:the ghost culture, before and after the two levels and is the performance of the collective unconscious. Bi Feiyu inherited the thought of Lu xun’s "national character criticism", the scene description by works "onlooker" psychology of the people, for long-term traditional culture by the formation of the national performance and criticism of the collective unconscious, the" man on the people" ghost culture analyzes and disdain, with calls for the establishment of the health of the national spirit and good interpersonal. Epilogue part of Bi Feiyu’s spirit temperament, to generalize about his literature ideal and humanistic care to be sure, to look forward to the possibility of his again.