A Study Of "Fiction" In Kafka 's Novels

Franz Kafka (1883-1924), the Austrian Writer, is recognized as the originator of modernistic literature. In the history of western aesthetics, Kafka set off a revolution by his unique narrative technique. Against the background of imitation theory in academic writing, he set off his own path and abandoned the idea that literature should objective reflection of reality. He restructures the relationship between reality and fiction, and liberates the novels from the reliance on reality. In his fiction, the illusion and reality integrated together to show readers a forgotten yet beautiful world.This writing is upheld with theories of narratology along with the fiction part in Kafka’s novels. The first chapter is the comparison between Kafka’s novels and the traditional realistic novels, and to state aesthetic expressionism’s uniqueness in Kafka’s novels. The process between fiction and reality relationship in Kafka’s novels has set off the aesthetic revolution. The second chapter discusses the actual use of fictitious techniques and how Kafka’s has captured the nature of reality but avoiding recording it in his novels. The third chapter starts with the study of the intentional individuality of Kafka. And also how the writing switches from the writer to the public and to the infinite. Lastly it also reveals the possibility of different ways of existence. The establishes part of the possibility and the status of ontology.