Exploring The "poetic" In Jim Jammu Xu 's Films

This thesis mainly content by use the German philosopher Martin Heidegger’slearning under the philosophy of Jim Jarmusch’s film text, looking for deep meaningand demonstration of films, and tries to enrich Jarmusch’s film research perspective,provides new theoretical horizon. The specific use of research methods related totext analysis, the author studies, cycle interpretation, etymology, archaeological, etc.The first chapter is the introduction part. Expound the Jarmusch’s film studiesresearch background, research significance and the research both at home andabroad, points out that in the related research in the innovation points anddeficiencies, summarize the research contents and methods of the paper, on thethought of "existence" of Heideggers art, truth and philosophy concepts such aspoetry, poetic theory, for the study provide theoretical basis for applied to Jarmuschfilm.The third chapter carries on the conclusion of the second chapter, will focus onanalysis how the rover to poetic nature. Rover is the first step is no longer practicalessence, after "arouse" on thinking way, to start somewhere. The second step is therover to may remove the shackles. Remove the shackles of means to remove allcontrol, face to face with death, and further puts forward three kinds ofunderstanding of the face to face with death, namely bushido, romantic selfseparation and will dont life is as death. The third step is the rover in living under thepremise of the spirit of the age, to return, return to poetic forgotten era, find theneeded for the formation of the spirit of the age.The fourth chapter discuss the thought of "existence" poetry appeared in thefilm. Based on the demonstration of the second and the third chapter, the technicalthought of thought, the language of thought and art into the text. Reveal technology,language, art in Jarmusch’s film as the essence of "existence", Jarmusch films poetryis also "existence" authenticity exist together. The nature of science is to the worldassociation of metaphysical thinking, the essence of technology is "quad" poetic,reveal the relationship between human and object, content and content differences.The thought of language is the essence of "thinks that says" of "narration" as "tao said" mouthpiece. The essence of art is to embrace the redemption of imaginationand double revealed.The fifth chapter is the conclusion part. This part summarizesthe research results of the paper, poetic interpretation of the jarmusch independentspirit, and based on this, advances the research way on enhancing domestic filmcriticism and authors.furthermore, make up for the shortcomings of the theory ofmeaning.