On The Theater Art Of Cao Yu 's Drama

Cao Yu’s dramatic creation not only marked the maturity of modern Chinese drama, ismore important, he was very imaginative and creative experimental creations, for thedevelopment of Chinese modern drama opens up a wide range of areas, offers infinitepossibilities, show the diversity of free space. Screenplay stage, functionally, in Cao Yu’splays were moved numerous times on the domestic and international stage, thus fullyconfirmed his theater art is superb, is second to none. This paper discussion on Cao Yu’sdrama theatre arts from the following aspects:First、The pursuit to drama stage effect"Arena" is the carrier of theatrical performances. Any drama writers script writingprocess from script to stage effects are taken into account. Cao Yu’s drama not onlyreading, thinking and can enjoy. He preset in the creation of script in the show perfectstage effect is wonderful. The so-called "fields" is man’s every action is influenced by thefield that occurs in the operations, field is not just the physical environment, including theactions of others as well as many of the factors associated with this. On Cao Yu’s plays, his"field" clearly in pursuit of self-awareness, and "assumption" is a basic properties exist inthe script of the play, his plays do not attach importance to a clear division of space andtime. So you can maximize play actor in the process. This assumes the existence of,audiences will go into feeling the true charm of the characters in the text.Second、Character conflict relationship of tensionConflict relationship between the characters is an important aspect of stagecraft,characters in Cao Yu’s plays are complicated, and contradictions are acute. During thecourse of confrontation and pulled each other and restrict tension styles are rendered. CaoYu’s character’s configurations prudence, precision, and simplified combination of singleand double-side, this figure without looking at the configuration of a single tedious, it canshow "that gave rise to the" artistic effect. Pose in conflict mode at the same time, thefamily model and social model as the main base that includes parent-child conflicts,marital conflict, servant, conflict, conflict and evil mode, reproduced the dramatic conflictsof diversity from different perspectives. Figure the final conflict is to return to thecharacters inner tension constitutes, first of all, figures on the value choice and high andlow points, and fate in the struggle, there was a trap, and went into the easy out, fighting atthis time was quite weak. Characters ’ network pulls in just like a cup of water， willoverflow, and constraints greatly increased theatrical effect. Third、Line art full of charmConstitute a wonderful story is not just relying on the script or the unique personalityof the characters can be called a work of art. Language is an inevitable research topic in theScreenwriting. Cao Yu on the carefully crafted language has reached the refinery areprofound, simple and without losing the meaning, the level without losing meaning. InGeneral, Cao Yu on the dialog creation followed with a combination of traditional andmodern patterns, in line with the tastes of the Chinese audience, the audience is receptive,actor performances."Narrating" the artistry of clever use of added lines, some want to sayand cannot say the intent expressed through movement, the eye can clearly come out.While transcending traditional language are other playwrights so far beyond the reach of.Lines used to a certain extent determine the success and failure of plays. His compactlanguage vivid, fresh and bright, directly attached to the souls of the characters, clearly tothe inner world of the characters.