A Study Of The Female Images In Dunhuang Bianwen

Bianwen in a narrow sense refers to a variable, the changing characteristics of god on the postures with initial bianwen exist in rhyme, rhyme and sets of characteristics of bianwen.In this paper, according to the opinions of scholars, selected the24bianwen compositions. This article aims at the24bianwen compositions of the narrow sense to make a comprehensive discussion, the full text is divided into four parts:The first part,"overview of female images in dunhuang bianwen".This part I sort out dunhuang bianwen in literature works, combed the narrow sense of bianwen in dunhuang literature works and some involved in the female images in the overall classification. And by comparing two kinds of classification methods, I select the family status division method and from the dunhuang literature women divided into two categories, in unmarried and married women.The second part,"female image analysis in the dunhuang bianwen". For further analysis of female images in the dunhuang bianwen and by comparison between the women of dunhuang literature work. I analyze of the Tang and Fuenf Dynastien period folk women different role behavior on the base and sum up women role in the family tips the balance the status.The third part,"female image shaping method in dunhuang bianwen".I explore the dunhuang bianwen in characterization method of artistic features and carry on the analysis from "the external image","speech act","psychological world" three aspects and summarized that dunhuang bianwen is in the characterization of traditional literature, having the character characteristic of profiling, symbolization.The fourth part,"view of women in dunhuang bianwen and its cultural value". By placing the dunhuang bianwen and dunhuang literature analysis, tang legends, tang dynasty epitaph,I explored the female view of the dunhuang bianwen reflects the social and cultural connotation, and its historical and cultural value in the history of women.