On The Writing Techniques And Performing Skills Of Tommynov 's Accordion Works "Dayton Rhapsody"

Viatcheslav Semionov is a famous Russian accordion performer, composer and educator, he created a series of beautiful, different styles of work for the accordion. As a full of wit accordion composer, his works are full of vitality and passion, which specializes in the use of traditional and modern compatible form, make the music contains details and charm of the deep. Made an indelible contribution to the works of Semionov for the prosperity of the art of accordion."Don Rhapsody" is one of them. This paper will be on "Don Rhapsody" creation technique and performance skill of in-depth study, we hope to be able to better grasp the essence of our work, to help, at the same time, the connotation of performance of Semionov’s works, play a certain reference role.The full text is divided into introduction and four chapters. The introduction mainly introduces the characteristics of Russian accordion music and composition and work situation, and points out the writing purpose. The first chapter briefly introduces the creating background of the works and the composer’s life. Based on the historical development as the clue and don, start to make the further introduction, on the background of the works finally, summarizes the characteristics of Russian accordion music, paving the way for "concrete analysis don Rhapsody".The second chapter studied the works, from two aspects of music structure and creation. In the part of music works in development of tonality, harmony and texture rhythm as well as the object of study, make a comprehensive analysis. Then, on the national music in the work, further analysis, to summarize the basic creation of this work, and the thought of development from the music, polyphonic melody writing are summarized. Creative ideas to help us understand the works.The third chapter is mainly on the work performance skill. From the use of bellows, finger skills requirements, three aspects and special playing technique that are explained in detail and analysis. I hope more accordion players can get beneficial inspiration from which.The fourth chapter from the author’s own point of view, to play new. On "Don Rhapsody" this work. Release. Processing from the play "breath", embodied music expressive force and the training of linear thinking this three point, introduced some thoughts on this work to the author brings, the accordion accordion works the other colleagues can better control of Semionov, to a meager strength.