A Study Of Shanghai Ci Poetry In The Period Of Yong Dynasty

This paper details the connection between Shanghai poets and some major Song lyric schools such as Zhexi genre, Yunjian genre, Yangxian genre and so on with Song lyric works written by Shanghai poets in Qing CiYong-Qian Volume as research object by analyzing purport, style, artistic expression, emotion, cultural connotation, etc. On this basis, introduce the general creative situation of internal Shanghai Song lyric genre and the basic features of its Song lyric history in this period.The exordium part narrates the reason, purpose and main questions to answer of this topic and defines specific research scope and object.In Chapter One, it starts with the background of the whole era and territory to describe social, political, economical and cultural condition of Shanghai Song lyric’s booming, discover poets’emotions and thoughts under the flourishing age and highlight study theme and the importance status of history and culture.In Chapter Two, it discusses the important connection between Song lyric’s prosperity, regional Song lyric style’s formation and spread and academic thoughts and content from those academic aspects of official ruling thoughts--neo-Confucianism, gradually developed ancient classics and poetics in Yong-qian period in general.In Chapter Three, it details the communication among Shanghai poets and formation and evaluation of Shanghai poetic circles pattern by introducing Wang Chang, the leader of Shanghai poetic circles at first and some major poets who have great influence in poem style formation and genre expansion such as Zhao Wenzhe, Wang Chutong, Lu Wenwei and so on.In Chapter Four, it discusses the contact with the west Zhexi poetic circles and generalizes the development and changes of Shanghai poets’theories by widely collecting, comparing and analyzing the main theories in this period. In Chapter Five, it lists the Song lyrics to praise objects and poems to commemorate and explores the signification and its contact to Zhexi genre by analyzing their works and extracting their major characteristics.In Chapter Six, it deeply studies the purport, their spiritual character and cultural characteristics in south of the Yangtze River reflected by Shanghai poets’works to understand the important connection between "identity by south of the Yangtze River" and regional poetics.In Chapter Seven, it summarizes the creative characteristics, achievements and status of non-Zhe poets, aiming at revivifying all aspects of Shanghai poetics circles, and learns more about internal features and the trend of development and evaluation by comparing.