The presence of large amounts of adaptation in the electronic organ, includingthe part of the adaptation of some orchestral work, this paper takes several Debussyand Ravel orchestral prpductions as an example, discusses the adaptation ofimpressionist orchestral work and playing skills.Paper is divided into three parts. The first part analyzes the combination of theelectronic organ and impressionist orchestral productions in keyboardvoice allocate,parts collocation and its performance advantages; The second part to the deploymentof sound and voice processing two aspects discusses the adaptation of impressionistorchestral productions skills; The third part of electronic organ plays impressionistorchestral productions on main performance skills in the induction. |