Self - Exile Women 's Life Writing - On Xu Kun' S Novel Creation

Enumerating the women writing history in the1990s, Xu Kun’s writing is the existence of a unique, She was to Chen Ran and the Lin bai’s Personal Writing and Wei Hui, Mian Mian "body writing" another way, A world leading independent in the1990s, She landed in the image of an unscrupulous player in the1990s, Showed a unique spicy unrestrained femininity, Her novels, most of the performance of elite knowledge and contemporary urban life of women in the workplace, Aspect unrestrained ridicule, irony, digestion unite in patriarchy-centered discourse. Reveals for the sacred classic narrative of the shelter of men or weak or hypocritical the behavior of the essence and the inner world ", also sad also hi, Serious and harmonious of the double discourse, Xu Kun, a clear female identity reflect on the patriarchal society, intended to construct both sexesharmonious and better living homes. Decentralization of knowledge of young people beginning from the debut "vernacular"(Chinese writers1,1993), Xu Kun novel character set through the "the people","a named person left a dog "," Pioneer "," Gita ""guano","reincarnation" of a series of works, theformation of elite knowledge of men in the story of the hero’s basic narrative mode, focus on the performance of the mirror of the real survival of the intellectuals in the1990s, carnival behind the writing, always keep in mind that self-the double identity of the female scholars, and after the novel encounter love,"Since then, more and more bright", the "procession","dog days of football" and other works to the very spirit of pedigree construction of the female language, from intellectuals narrative tofeminist consciousness publicity form Xukun unique style of writing self-world "deconstruction" as the main exiled.This paper uses deconstruction, the text read, narrative analysis and other methods discussed in detail the spiritual origins of Xu Kun novel creation and its pioneering significance. This thesis is divided into three chapters:The historical origins of the first part of the cultural norms of the patriarchal interpretation through the analysis of women writers, from a historical perspective of women, in the historical process of the traditional culture is increasingly being replaced by modern civilization, women still live in the narrow space of the patriarchal culture, of self-imposed exileunable to agree with the ideas presented in the interpretation of the myth of the text read, and with intent to explore the cultural space of the female spiritual home.Nothing to agree with the performance characteristics of the angle resolution of the narrative strategies in the second part discusses the narrative mode of Xu Kun creation of three highly personalized color, whether it is early intention to disguise the male narrative perspective, or later in the narrative modeshowing the return of women’s three-voice, or super-sex narrative subversion of binary oppositions has, all show that Xu Kun explore the diversity of women’s writing style. Through the use of three narrative point of view, the creation of a narrative discourse reveal the plight of the contemporary female survival.The third part of the unrestrained style With the Xu Kunwen this language in depth of the inner world of cultural psychology that is a naughty way to confront nothingness, and the attitude of the game to deconstruct language, and bold Fiat language revenge, and ultimately elucidate the mechanism of self-imposed exile cultural psychologythe causes and significance.