Alfred Schnittke "Revis Fairy-tale" Of The Research

Alfred Schnittke is a remarkable, innovative Russian composer and patriarch of the Russian musical avant-garde. His extraordinary prolific music covering a dozen of instruments and unprecedented polystylism juxtaposing past and present styles including Baroque, jazz and twelve-tone technique styles have distinguished him in the classic music world, which is strikingly illustrated in one free bass accordion piece, Revis Fairy-Tale. This paper will focus on the analysis on its distinctness of execution, material and sound effects in four chapters.This paper is mainly on ontology analysis of the main line of music , In-depth and detailed study on the Alfred Schnittke's Revis Fairy-Tale, thus conclude the characteristic of the composition and music style, and work involved in performance analysis techniques accordingly.The first chapter uncovers Alfred Schnittke's biography, background of the composition:Point one consists of composer's biography and fields of the creation and the relevant composition; Point two consists of composer's music style and characteristic of the composition techniques. Point three consists of background of the composition and overall grasp of the works combined with the original.Chapter Two sees the ontological analysis on four parts of the masterpiece in terms of musical form, melody, rhythm, tone and mode, and the conclusion of the characteristics of the very music.Chapter Three exemplifies how brand-new music styles are sensed in the piece in two points. Point one lies in a brief introduction of Program Music. Point two consists of overall characteristics of brand-new music styles of the 20th century by looking into techniques and styles of schools.Chapter four deals with the analysis on techniques of instrument playing, including bellows shake and glides performance is first introduced. How the sound suppressor is in the use and tips on the playing of ornaments are explained in detail.