Research On Series Of The Women Images In Zhang Jie's Love And Marriage Novels

Zhang Jie's Love and Marriage novels describe women in the sorrows and joys in a unique aesthetic standard and with a strong sense of life and probes into the woman's spirits and complicated personality in the transitional period.The difficulty that women have been faced with in the life of love and marriage although they have spared no efforts to overcome demonstrate the existence of the ideological and cultural strain.Zhang Jie's novels such as "Love can not be forgotten", "Emerald", "Tangram", "Ark", and"No Words" are the themes of representative works of their love and marriage, which depict series of female images, such as Zhong Yu, Zeng Linger, Jin Naiwen, Liang Qian, Liu Quan, Jing Hua, Wu Wei . Their true and touching soul can not be expressed instead of describing the vicissitudes and confusion in the female's soul . This series of women reflects the plight of self-liberation. Zhang Jie's Marriage series of novels of female existence of deep concern and a clear understanding of the social conditions for people, especially women, have a deep inspiration. In her Marriage works, these images of women like the declaration of the new era of women's liberation and Meditations, show Zhang Jie 's stand by and struggle, criticism and reflection, to pursue and redemption in different historical periods.The images in her fictions has undergone three development periods: ethical strive for perfection in women, criticism and reflection of women, and redemption in the pursuit of women. Images of women in different periods of history bear a different burden of women from a single character corresponding to diversity, from weak to strong. emotional, also experience the passive pursuit to the active one . And the images of women have also shown a degree of human development from the one-way to God and then return to the human trend. Examining the female image of Zhang Jie's Marriage series of novels , it has the tendency of the tragic features of solitary introspection, women gradually highlight and raise awareness as well as the subconscious minds are further intertwined traditional and modern features. Zhang Jie's unique image of women behind the art and culture also have more complex causes of the composition, and it is the reflection of individual, age, social, and aesthetic . The reason why Zhang Jie creates these images of women stems from her childhood experience of projection, China's traditional culture, as well as Zhang Jie's personal edification ideal structure.