Development Analysis Of China Buddha Sculpture

In the Han period, Buddhism first entered the Central Plains, has experienced the impact of Chinese traditional culture and integration, both Confucianism and Taoism, and eventually become the china "Buddhism" Rulers of the people to paralysis, with Buddhism, past lives, karma, and other theories forced the people of have nothing to complacent, Salford afterlife. The suffering people need spiritual sustenance, the "decorated in chains of flowers on the illusory" to give them hope and consolation hazy. In such a cultural and political background of the significant growth of Buddhism, became whether rich and poor people's common choice. Buddhism Buddhist propaganda is to use the translation. interpretation and monasteries, Buddhist worship. The statues of Buddhist propaganda as the carrier, his vision and feel in person to worship a kind of dignity, compassion, fear of the psychological impact, making the development of Buddhism more deeply. Buddha Statues in art while promoting the development of Chinese sculpture. Enriched Chinese art techniques and sculpture content into a unique charm of art. buddhist statues. In different times, different areas have different images. it is the people's lives, aesthetic taste and aesthetic tendencies of the expression vector. Period from the initial introduction of the Han Dynasty with clear color of Buddha, to the Wei and Jin Dynasties literati temperament full of statues, to the Tang Dynasty full, rich, gorgeous statues, Song secularization, the breath of life of Buddha, it has deep branded with the colors of Chinese culture. Be the China Sculpture best chapter. With the dissemination and development of Buddhism, Buddhist statues in various postures tnterd into Login Church and the worship of ordinary people. Buddhist Bright Pearl of China:Mogao Grottoes, Yun Gang Grottoes, Long Men Grottoes Cave Art, Buddhism, and also in promoting a large number of preserved Buddhist statues, their religious values and aesthetic values by the people of the world's admiration.This paper consists of five chapters to discuss the development and improve of Buddhism in China and the growth of Buddhist art, The first chapter is to discuss Buddhism first entered the Central Plains and Central Plains'attitude, focused on the impact of Buddhism and the Central Plains culture and the integration of Buddhism and Confucianism and Taoism through the absorption gradually within the Central Plains culture of acceptance:Chapter discussion of the Buddhist art forms, from early to create a symbol of worship idols and achievements of the Gandhara culture, with the development of Buddhism, and gradually a Buddha statues rules; The third chapter is the Chinese Buddha Statue, China on the basis of original sculptures absorb the essence of foreign culture, to create a statue belonging to Chinese characteristics; fourth chapter deals with the grotto art, as the Chinese Buddhist art treasures, Dun Huang, Yun Gang, Long Men Grottoes Buddhist Art in China represent.Chapter extends to the development of Buddhism in China late in the Tang and Song Dynasties, when Buddhism and Buddhist art in China reached a peak transmission of the art techniques Wei and Jin Dynasties opened up a new imaging style influence on Chinese art far-reaching; Finally, the conclusion of the development of Buddhism in China and the influence of Chinese art to any conclusion.Source of this strategy from the roots, work of strategy, classification and comparison of strategies, cultural discussion of strategies, such as the Wei and Jin Dynasties Chinese Buddhist sculpture during the development, maturation and the impact to discuss.