Light Of Modern Understanding Of Landscape Painters And Practice

Since the birth of Chinese landscape painting, the light as a component of the deposit is always with them. Many artists on the ancient landscape in a profound understanding of light. However, due to political, cultural, environmental and other reasons, in practice the ancient painters were evasive. Therefore, the light in the presence of Chinese landscape painting in the state are more subtle and tend to come out. In modern social and cultural upheaval and artistic development of a diversified open the background trend, especially the modern Western art began to hit the door to China, Western painting light and shadow effects to the people a strong visual power to shock. The face of the plight of traditional painting, has sparked controversy for Chinese and Western painting and reflection.Landscape Painting in the light of modern understanding and practice of the re, in fact, China continues to open up the artistic thought, Wenhua thoughts, etc of traditional Chinese culture and arts Dailai the Chong Ji and Ji Yu, Yiwei Zhao Zheng bred with traditional Chinese culture to the Dangdai visual culture profound change. The social, cultural progress and development of technology, making it light and understanding and performance have been further raised. In modern times, a number of innovative landscape painters active in the absorption of light and shadow elements of Western painting Chinese landscape painting came into. Bold put into practice, and achieved significant results, the Chinese landscape paintings glow with new vitality.This article focuses on how the landscape painters of modern Western painting in the absorption of light and shadow factors into the nation's landscape paintings, Chinese landscape painting can adapt to the times of the visual aesthetic requirements. The article first describes modern social and cultural context of Western art on Chinese Painting. Secondly, the Chinese landscape painting to define the concept of light, the light of Chinese and Western painting, traditional and modern landscape painting in a comparative analysis of the similarities and differences. Light on the modern landscape painters understanding and practice of key aspects of the study. And to further explore the light of modern landscape painters successful practice of contemporary landscape painters of the new enlightenment. Finally the same time that the modern landscape painters of light can not embrace include all, and tap the potential is still very great, from the times of the visual perspective of psychological research and development new understanding of light on the significance of Chinese landscape painting.