On The Twentieth Century Chinese Literature In The Teahouse

Chinese Literature in the twentieth century, many writers have invariably choose the "Teahouse" as the background to start their own narrative fiction, such as Lu Xun, Li Jie people, Sha Ting, Lao She, Zhang Tianyi, contradictions, Ai Wu, "Sha Jia Bang", etc. has always been literary research only take it as a fiction story, background, or geographical and cultural carrying symbols of this space in the text of the meaning of attention is not enough space to play. Therefore, I will study the object lock in Chinese literature in the history of the twentieth century, tea (including tea room hotel with similar functions) to Lu Xun, Sha Ting, Lao She, "Sha Jia Bang" and other classic writers of text a few cases, integrated in the public domain, the stories and theories of power and discourse perspective, and using text reading method, the 20-century Chinese literature in the "Teahouse" manifestations, in particular its main features, the spatial dimensions of inquiry and investigation to try to out of tea research studies focus on social and cultural limitations,With a view to a more systematic way to explore "Teahouse" space in the text played a "silent" role function.Twenty century Chinese society teahouse, similar Western cafes is public daily life important public activity space, Reflected in the literature, It has not only generated where the story, scene, but rich in meaning and function of the space image, Therefore, this paper into the text from the perspective of space.Introduction, the main importance of space research comb, and the Chinese Literature in the twentieth century teahouse status and lack of space research, space research pointed out the significance of tea. Main part is divided into five chapters: The first chapter mainly outlines the history of twentieth-century Chinese literature, tea, introduction of the "public sphere" of theoretical concepts, and to further elaborate on this theory in the study of the applicability of Chinese literature; Chapter II focused on analysis of Lu Xun's Tea House Hotel in the text space "cannibalism" of the metaphorical form of expression, and its narrative in the text in the main body of sexual function; Chapter III Analysis of Lao She's "Teahouse" Yu Tai Tea House in the space insinuations morphology and its social criticism and cultural construction functions; Chapter IV described by Sha Ting teahouse explore the exposure of space function; Chapter V from the point of view of power and discourse in the teahouse, "Sha Jia Bang" a strong discourse of power to intervene, and through the text looking for a classic analysis of operas in which infiltration of civil discourse patterns. Concluding section, a theoretical conclusion, that despite the teahouse in different times, different writers of the text is rendered with their different manifestations, the performance of the subject content with each other, but it goes beyond the scene and the cultural and political symbols function, plays a "victory has made silent" role to play in the main text of narrative structure function.