| In this paper, a model of two works of the Western Zhou Fang's "Wearing Ladies" and Raphael's "Sistine Madonna" image of women in the creation of artistic ideas and specific compared to explain the two ideals of female beauty similarities and differences, "Wearing Ladies" emphasis on "outside the territory as" the pursuit of the way with False and True performance of the aristocratic women of China and the United States weather and under the influence of Confucianism and Taoism in China focus on feeling and reason for mind and matter of inner psychological harmony."Sistine Madonna" is an era of beauty through the grasp of a typical image,With the exact proportion, perspective and structure to reproduce the collection of many of Our Lady of the United States with an image of Western theology and philosophy under the influence of complementary aesthetics, it respected the external form of a harmonious work of art. Western ideal of harmonious beauty are to pursue the integration of opposing factors of unity, but the Chinese are somewhat internal mental harmony, while Western emphasis on the external form of harmony.This article discusses the following four parts to start:First, select the reason to compare these two paintings; 2,"Wearing Ladies" and the "Sistine Madonna" Female comparative;Third, by comparing to the formation of two different a model of the U.S. origin of the thought; 4, this idea of psychological origin under the aesthetic.Paper consists of four parts of the Western image of two women were compared.The first part, "Wearing Ladies" and the "Sistine Madonna" an overview of artistic achievementThe second part, "Wearing Ladies" and "Sistine Madonna" Comparison of FemaleThe third part, "Wearing Ladies" with the "Sistine Madonna" women's interpretation of the image of the United States the idea of different originsThe fourth part of the Tang and the Italian Renaissance more aesthetic psychology description... |