On The Ethnic Style Of Domestic Animation Films

Chinese animation started in the 1920s. Chinese domestic animation film had a glorious history before. Films include Havoc in Heaven (1964), Nezha (1979), Three Monks (1980), Legend of Sealed Book (1983), and Feeling from Mountain and Water (1988) were among the few animations that managed to earn international awards. They were well known among ordinary citizens and overseas audience. Meanwhile they also won the reputation of "Chinese school". Many domestic animations films which had a series of national characteristics played an important role in the process of Nationalization exploration.The outstanding performance in the animation films were used by the traditional folk art forms, reflecting in the ethnic cultural atmosphere to give the audience a strong sense of refreshing. However, since the beginning of the 1990s, Chinese domestic animation films gradually deviated from the nationalization and fell into a very confused situation. To revive the Chinese domestic animation films, we must root in the fertile soil of nation's culture, and stick to the Nationalization. This is not only the expectation of every Chinese animation workers, but also for continuing the spiritual of older animation artists.My article starts form carding the formation and development of the domestic animations style characteristics. Down from globalization understanding of the vision of domestic animations style, the theoretical study of the ultimate goal is to practice creative services. What's more important is a comparative analysis, which received some of reference, experience in the domestic films themes and concepts updates in the localization of the close integration with the international on the road to the former, can have a more far‐reaching significance.