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Tang Dynasty Art Kuangcao

Posted on:2010-11-12Degree:MasterType:Thesis
Country:ChinaCandidate:Y P LiuFull Text:PDF
GTID:2155360302962571Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The Chinese art of calligraphy goes back to ancient times. By the Tang Dynasty, political stability, economic prosperity and social stability. People under conditions of ample food and clothing began to pursue the spirit of leisure pleasure. On the other hand, rulers of great love for the art of calligraphy, its a strong proponent of, and in order to promote the art of calligraphy and done a lot of effort. On the political front, which will be included in calligraphy; in education, the establishment of Philip Science Museum, to encourage the children to the museum officials to learn; in the imperial examination, the selected font are taking beautiful. This series of measures for the development and prosperity of calligraphy into a powerful driving force. Body in the evolution of the book, the Tang Dynasty in the body is entirely complete, but this time the art reached kuangcao peak of their development for future generations and must not. To Zhang Xu, Huai Su caosheng represented by the emergence of art and their achievements kuangcao its symbol. Kuangcao the emergence of long-term in order to break the seal, Li, Kai Zhu body represented by the aesthetic principles of the book quite satisfactory. Marked in the script from the practical and the arts as an independent basis, kuangcao its quest for passion, brought great joy to the state re-opened up a milestone in the plastic arts. To express strong feelings, Longfei snake away, free of ink flowing patterns, rich deep realms of art, the art of calligraphy in China created a flamboyant era. In a relatively open, free and unrestrained, extroversion, tolerance, self-confidence and a lively culture of Tang Dynasty, the emergence of kuangcao break the balance of the original principles of the stability of the aesthetic, with its exaggerated brushwork, rich rhythm , free flowing ink of mood patterns and broad, sweeping the best of the wiles of its lyric. In addition, the book is different from the character shown in the art of calligraphy the art of a different mood. This paper attempts to systematically kuangcao to discuss the unique art, explore the strong feelings, comprehensive self-cultivation, and a rich variety of physical properties of the mood.
Keywords/Search Tags:Tang Dynasty, Kuangcao, Emotional, Cultivation, Physical, Mood
PDF Full Text Request
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